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Showing posts with label Delhi Belly. Show all posts
Showing posts with label Delhi Belly. Show all posts

Monday, August 12, 2013

Imran Khan: It’s impossible to dislike Akshay Kumar!

Bollywoodlife caught up with the Once Upon A Time In Mumbaai Dobara actor at his Juhu residence recently. And we heard why the light-eyed dude gets nervous before the release of a film and why he doesn’t give a hoot about what critics say to his image-makeover

Imran Khan is your regular upscale urban Mumbaikar who happens to be a star. He might have been voted the next gay icon by a popular poll and considered the most chocolaty hero in B-town, but the 30-year-old does not take the tags seriously. After becoming an instant success with Abbas Tyrewala’s Jaane Tu Ya Jaane Na..the Khan dude went on to work in successful ventures like Mere Brother Ki Dulhan, Delhi Belly and Ek Main Aur Ekk Tu. And now Imran is looking forward to the release of his new film Once Upon A Time In Mumbaai Dobara, co-starring Akshay Kumar and Sonakshi Sinha. We caught up with a rather fidgety Imran at his plush Juhu residence just ahead of the release of Milan Luthria’s gangster drama…

You have always maintained that you feel jittery before the release of a film. How do you feel now, when Once Upon A Time In Mumbaai Dobara is all set to hit the screen?

Somehow I am feeling a little calmer, because I have so many talented people on my team. I have Milan Luthria, Akshay Kumar, Sonakshi Sinha… itne saare log hain ke I feel that I have a good support system. I have a really strong team with me.

You are working with Akshay Kumar for the first time. Did you feel nervous?
It is impossible to dislike Akshay Kumar! He always has some interesting story, some anecdote, koi kissa or a funny joke to tell. He will convert you into an Akshay Kumar fanatic within the first five minutes of your meeting. I have become a life-long fan of Akshay Kumar now.

After Kidnap, you are portraying a negative character again…

No, this is not a negative character. Aslam does some illegal works; he’s a criminal, but he’s not a bad guy actually.

Miles away from your regular urban-guy image, you are playing a bhai in Once Upon A Time In Mumbaai Dobara. Do you feel apprehensive portraying characters that do not correspond to your real life image?

Oh, people have been saying whatever they like. When I did Matru Ki Bijlee Ka Mandola, they said why did I select that project. When I did Delhi Belly, again people had their speculations ready. Before taking up any project I just ask myself one important question: am I doing an entertaining movie? Will I pay to watch this movie? If the answer is yes, then I take up the project without thinking too much about it.

Sonakshi is emerging fast on the B-town map as a talent to reckon with. Do you agree?

In my opinion, Sonakshi Sinha is the best actor of the current crop of stars. See, when you watch a film, you see only the filtered version. You see the best shots with refined performances and finely edited sequences – perhaps there are other effects like background scores or VFX that enhance the presentation. But I see the actor face-to-face, you know what I mean? I think Sonakshi is the most talented actor we have in the industry today!

In an interview Sonakshi said, ‘Imran Khan is a total prankster’. Are you a prankster on the sets?

C’mon! I have been in the industry for five years. Have you ever heard anything bad about me? And still you buy these stories? On the contrary, I am a good boy (laughs)! In fact, Sona made me and Akshay dance around her. She would go ‘Arrey main thak gayi’, then Akshay would get her a chair for her and she would be like ‘Arey, yahaan kaafi dhoop hain’, toh I would get her an umbrella for her. In fact, she was very pampered. You need to understand that she is the only heroine in this film and there are two heroes romancing her, toh thoda pampering to jaayaz hain, na! (giggles)

How would you respond to critics who say that Imran can play a regular guy next door, the urban character, well, but he doesn’t look convincing when he tries to play the rugged, intense characters such as in Matru Ki Bijlee Ka Mandola or now in Once upon..

These are opinions at the end of the day and I don’t pay much attention to what critics have to say. I just do my job!

Has Imran Khan found his comfort zone between these two extremes? Do you find it difficult to mould your sensibilities, especially when you play a character that is far from your comfort zone?

A director comes to me with certain ideas. As an actor, my job is to find out if I can relate to his product or his story. The easiest role I have done so far is in Delhi Belly. That’s the film that required the least amount of preparation on my part. For me, it was a simple film and it was my comfort zone. But for Matru I had to learn Haryanvi and learn the dialect, which was challenging.

I think an actor becomes the characters the director wants him to play, but that can happen only when all the pieces of that character start falling into the right place. So sometimes I get inputs from my writer or from the director or from the costume guy. All these things form my sensibilities to understand how to play the required character.

The Tayyab Ali song is making quite a buzz. You seemed to have enjoyed shooting for the number….

Oh, don’t ask! We were shooting for that song in May and I was wearing a fake moustache for the song, which would come off because I was sweating like mad. So there were many takes. Everything about this song, from the lyrics to the choreography to its music, was instant. Nothing was rehearsed. Sab taaza taaza and garma garam hai is song main. Nothing is planned with great detail.

What reactions are you expecting from Once Upon A time In Mumbaai Dobara? Will its fate at the box office help you choose your future projects?

Not really. I don’t expect much from life. A film is an end product for me. I have never looked at any film as a stepping stone to something big or something more exciting. A film is a journey in itself and I enjoy that journey! I can’t say that this film will establish me as a tapori guy and then I will experiment more in this genre. It’s a fresh start every day.

Wednesday, July 17, 2013

London Indian Film Festival 2013: Monsoon Shootout, Bombay Talkies, B.A. Pass to be screened

Cineswami gives us all the dope on the London Indian Film Festival 2013

Like a newborn baby who grows up faster than you can say puberty, the London Indian Film Festival (LIFF, July 18-25) is already turning four. In keeping with its practice of opening with edgy yet high profile films, with openers of the past three years being LSD: Love, Sex Aur Dhokha, Delhi Belly and Gangs of Wasseypur, this year the festival opens with Amit Kumar’s Cannes selection Monsoon Shootout -  starring India’s latest indie star Nawazuddin Siddiqui – set in the badlands of rain-drenched Mumbai. The festival will close with Karan Johar, Zoya Akhtar, Dibakar Banerjee and Anurag Kashyap’s portmanteau celebration of 100 years of Indian cinema, Bombay Talkies.

Unlike New Delhi’s centenary celebrations that did not look beyond Satyajit Ray and Bollywood, LIFF is celebrating Indian cinema in all her diversity and myriad languages. After shocking the world and earning an India ban for Gandu, Q returns with Rabindranath Tagore adaptation Tasher Desh, a psychedelic Bengali film shot in Sri Lanka. There is Lifeu Ishtene director Pawan Kumar’s world premiere of Kannada film Lucia that blurs the distinction between dreams and reality. Tense detective thriller Pune 52 by Nikhil Mahajan is in Marathi and metaphysical road movie The Good Road by Gyan Correa is in Gujarati.

After putting his leading-man days behind him our own Jaggu Dada Jackie Shroff is enjoying an acting renaissance as evidenced in last year’s LIFF audience award-winning Tamil film Aaranya Kaandam. He returns to the festival this year with the charming Life Is Good, by Ananth Mahadevan. Hansal Mehta’s brilliant courtroom drama will also play as will Ajay Bahl’s erotically charged B.A. Pass, featuring former Chak De! India girl Shilpa Shukla as the sexy aunty every hormonal teen oozes at the thought of.

Nandita Das returns to her native Oriya tongue with Devashish Makhija’s environment cautionary fable Oonga and Mohit Takalkar takes the audience on a journey of self-discovery across India with the Hindi and Marathi The Bright Day. Classics have not been omitted and Adoor Gopalakrishnan’s Malayalam masterpiece Elippathayam will be shown in a special revival. Gopalakrishnan will be present in London to deliver a masterclass.

India’s biggest international star (eat your heart out Bollywood) Irrfan Khan will be centrestage at the British Film Institute to trace his incredible global cinematic journey with his The Warrior director Asif Kapadia.

Cary Rajinder Sawhney, Festival Director said, “We are delighted that the festival is growing from strength to strength. If you want to find out more about South Asian cinema come and soak yourself in a week of magnificent films in London.”